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Kiki Smith : prints, books & things
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ISBN: 0870705830 9780870705830 Year: 2003 Publisher: New York : Museum of Modern Art,

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"Kiki Smith: Prints, Books, and Things is the most complete survey yet of Smith's printed art. Published to accompany an exhibition at The Museum of Modern Art, New York, in the winter of 2003-4, it contains 137 color plates documenting her work in the medium, beginning with her first screenprint, made in 1980, and including works that were in progress as this book was being written. Also featured is an eight-page printed work that Smith created especially for the book. An innovative experimenter, Smith has investigated many kinds of printmaking, from traditional techniques such as etching and lithography to newer, simpler processes such as rubber stamp and photocopy, not to mention artist's books and multiples including blankets and fabric dolls. The reader aware of her sculpture will find much to recognize in these works, with their imagery of the body, of animals and birds, and of the iconography of women, but her printed art develops these themes in ways unique to itself - as Wendy Weitman, Curator in the Museum's Department of Prints and Illustrated Books and the organizer of the exhibition, explains in a comprehensive essay. Kiki Smith: Prints, Books, and Things offers a crucial record of an underacknowledged side of Smith's work. In doing so, it argues powerfully for the importance of printmaking in contemporary art."--BOOK JACKET.


Book
La dation Brancusi : dessins et archives
Authors: ---
ISBN: 2844262015 9782844262011 Year: 2003 Publisher: Paris Centre G. Pompidou

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Avec la Dation Brancusi, reçue en 2001 par le Centre Georges Pompidou-Musée national d'art moderne, quatre-vingt-dix-sept dessins et un fonds inestimable d'archives viennent enrichir une collection restée incomplète après le legs de l'artiste au Musée, en 1957. L'œuvre graphique joue dans la création du sculpteur un rôle particulier, que Marielle Tabart fait ressortir dans son introduction : les esquisses d'architecture, les dessins liés à la sculpture, les Pyramides fatales, les cercles et spirales marquent la réflexion de Brancusi, les nus et les portraits témoignent d'une méme simplification de la forme. Le choix d'archives établi et commenté par Doïna Lemny fait revivre les acteurs du milieu artistique international que Brancusi a reçus pendant un demi-siècle dans son atelier Pach, organisateur de l'Armory Show, Duchamp, l'ami et le médiateur outre-Atlantique, Brummer, le marchand, Quinn, le grand collectionneur, et Roché, l'intermédiaire. Au fil des lettres se révèlent les intimes - Léger, Picabia, Cendrars, Cocteau et Radiguet, Erik Satie, le conservateur anglais Jim Ede -, ainsi que les Américains à Paris, gagnés à la cause de l'art moderne, les Roumains, et, enfin, les amies - chapitre méconnu de la vie secrète du sculpteur.

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